In-visible

In-Visible explores a more personal topic. In his program notes, Obremski, a Japanese-American born and raised in New York City, writes about Asian-American and Pacific Islanders feeling unheard and unseen. AAPI dancers Blu Furutate and Mayu Nayaka illustrate this, mirroring each other in movements that evoke quiet frustration. Melting inward and thrusting outward, Furutate performs a hypnotic solo as Nayaka pauses to watch. When Nayaka touches her shoulder, they begin a duet of cause and effect. Nayaka compels Furutate but does not dominate, instead, she slowly draws her partner into communion by gently moving Nayaka’s limbs or indicating direction by moving her own. Movements performed in unison and in counterpoint give the impression of individuality within a shared experience. Moments of canon imply thoughts shared but experienced alone. In a brief but particularly resonant moment, Furutate snakes her head into the space of Nayaka’s circling arms. With a gentle toss, Nayaka travels Furutate across her body, supporting her, yet propelling her forward.”

- Cecly Placenti, The Dance Enthusiast (2024)


 

Obremski/Works Artists Mayu Nakaya (behind left) and Blu Furutate (center) in rehearsal for In-Visible by Jesse Obremski. Photo by McCall McClellan.